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The Social History of Smoking

George Latimer Apperson

Chapter 7:

The most famous of country clergymen of the early Georgian period is, of course, Fielding's lovable and immortal Parson Adams. Throughout "Joseph Andrews" the parson smokes at every opportunity. At his first appearance on the scene, in the inn kitchen, he calls for a pipe of tobacco before taking his place at the fireside. The next morning, when he fails to obtain a desired loan from the landlord, Adams, extremely dejected at his disappointment, immediately applies to his pipe, "his constant friend and comfort in his affliction," and leans over the rails of the gallery overlooking the inn-yard, devoting himself to meditation, "assisted by the inspiring fumes of tobacco." Later on, in the parlour of the country Justice of the Peace, who condemned his prisoners before he had taken the depositions of the witnesses against them, and who, by the way, also lit his pipe while his clerk performed this necessary duty, Adams, when his character has been cleared, sits down with the company and takes a cheerful glass and applies himself vigorously to smoking. A few hours later, when the parson, Fanny, and their guide are driven by a storm of rain to take shelter in a wayside ale-house, Adams "immediately procured himself a good fire, a toast and ale, and a pipe, and began to smoke with great content, utterly forgetting everything that had happened." In the same inn, after Mrs. Slipslop has appeared and disappeared, Adams smokes three pipes and takes "a comfortable nap in a great chair," so leaving the lovers, Joseph and Fanny, to enjoy a delightful time together.

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The Social History of Smoking

George Latimer Apperson

Chapter 13:

King James I in his famous "Counter-blaste to Tobacco," hinted that the husband, by his indulgence in the habit, might "reduce thereby his delicate, wholesome, and cleane complexioned wife to that extremitie, that either shee must also corrupt her sweete breath therewith, or else resolve to live in a perpetuall stinking torment." His Majesty's style was forcible, if not elegant. There are also one or two references in the early dramatists. In Ben Jonson's "Every Man in his Humour," for instance, which was first acted in 1598, six years before King James blew his royal "Counter-blaste," Cob, the water-bearer, says that he would have any "man or woman that should but deal with a tobacco-pipe," immediately whipped. Prynne, in his attack on the stage, declared that women smoked pipes in theatres; but the truth of this statement may well be doubted. The habit was probably far from general among women, although Joshua Sylvester, a doughty opponent of the weed, was pleased to declare that "Fooles of all Sexes haunt it," i.e. tobacco.

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